Bagnall, R. S. and Derow, P. 2004. The Hellenistic Period: Historical sources in translation. Malden, MA: Blackwell. DOI: dx.doi.org/10.1002/9780470752760
Baines, J. 1985. Fecundity Figures: Egyptian personification and the iconology of a genre. Warminster: Aris and Phillips.
Baines, J. 1989. Communication and Display: The integration of early Egyptian art and writing. Antiquity 63: 471–482.
Baines, J. 1994. On the Status and Purpose of Ancient Egyptian Art. Cambridge Archaeology Journal 4(1): 67–94. DOI: http://dx.doi.org/10.1017/S0959774300000974
Chiang, Y. 1954. Chinese Calligraphy: An introduction to its aesthetic and technique. London: Methuen and Co.
Clarysse, W. 1993. Egyptian Scribes Writing Greek. Chronique d’Égypte 68: 186–201.
Cribiore, R. 1996. Writing, Teachers, and Students in Graeco-Roman Egypt. Atlanta: Scholars Press.
Depauw, M. 1997. Companion to Demotic Studies. Brussels: Fondation égyptologique reine Elisabeth.
Fenollosa, E. and Pound, E. 2008. The Chinese Written Character as Medium for Poetry. New York: Fordham University Press.
Freud, S. 1954. Interpretation of Dreams. London: G. Allen and Unwin.
Goodspeed, E. J. 1902. Greek Papyri from the Cairo Museum. Chicago: The University of Chicago Press.
Kennedy, A. G. 1958. Fenollosa, Pound, and the Chinese Character. Yale Literary Magazine 126(5): 24–36.
Kidd, S. 2011. Dreams in Bilingual Ptolemaic Papyri. The Bulletin of the American Society of Papyrologists 48: 113–133.
Lucas, A. 1934. Ancient Egyptian Materials and Industries. London: E. Arnold and Co. Metropolitan Museum of Art 2006. Brush and Ink: The Chinese art of writing, September 2, 2006–January 21, 2007. http://www.metmuseum.org/en/exhibiti.../brush-and-ink [accessed on 13 August 2011].
Nicholson, P. T. and Shaw, I. (eds) 2000. Ancient Egyptian Materials and Technology. Cambridge: Cambridge University Press.
Pound, E. 1951. ABC of Reading. London: Faber. Quong, R. 1973. Chinese Written Characters. Boston: Beacon Press.
Renberg, G. and Naether, F. 2010. “I Celebrated a Fine Day”: An overlooked Egyptian phrase in a bilingual letter preserving a dream narrative. Zeitschrift für Papyrologie und Epigraphik 175: 49–71.
Shizheng, W. 2008. The Evolution and Artistry of Chinese Characters. In Youfen, W. (ed. and trans.), Chinese Calligraphy. New Haven: Yale University Press, 47–65.
Slater, N. W. 2002. Dancing the Alphabet: Performative literacy on the Attic stage. In Worthing- ton, I. and Foley J. M. (eds), Epea and Grammata: Oral and written communication in Ancient Greece. Leiden: Brill, 117–129.
Sosin, J. and Manning, J. 2003. Palaeography and Bilingualism: P.Duk.inv. 320 and 675. Chronique d’Égypte 78: 202–210.
Spiegelberg, W. 1908. Die demotischen Denkmäler. Leipzig: W. Drugulin.
Tait, W. J. 1988. Rush and Reed: The pens of Egyptian and Greek scribes. In B. G. Mandilaras (eds), Proceedings of the XVIII International Conference of Papyrology, Athens 25–31 May 1986,Volume 2. Athens: Greek Papyrology Society, 477-481.
Turner, E. 1971. Greek Manuscripts of the Ancient World. Oxford: Clarendon Press.
Wilcken, U. and von Mitteis, L. 1912. Grundzüge und Chrestomathie der Papyruskunde. Leipzig: B. G. Teubner.
Wilson, P. 2003. Sacred Signs: Hieroglyphics in ancient Egypt. Oxford: Oxford University Press.
Witkowski, S. 1911. Epistulae Privatae Graecae. Leipzig: B. G. Teubner.
Wolff, D. 1974. An Easy Guide to Everyday Chinese. New York: Harper and Row.