8: Digital Audio and Podcasting
- Page ID
- 305509
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)- 8.1: Introduction
- This page highlights the significance of capturing both visuals and sounds in reporting. It emphasizes that while photographs cover the visual element, affordable digital audio recorders enable the inclusion of audio clips in reports, enhancing storytelling and connecting readers more intimately with the experience.
- 8.2: The basics- Audio formats
- This page explains the importance of understanding digital audio file formats for online use. It highlights the prevalence of compressed formats like MP3, WMA, and AAC for faster downloads, with MP3 being the most recommended due to its compatibility across platforms. In contrast, uncompressed formats such as WAV and AIFF are less accessible online. The summary emphasizes that choosing the MP3 format enhances accessibility for a wider audience.
- 8.3: Identifying opportunities
- This page emphasizes the value of integrating audio clips into news articles to enrich reporting by conveying emotional depth that mere transcriptions may miss. It advocates for the adoption of digital recording technology to modernize reporting practices, suggesting that this will enhance the quality of narratives and become a seamless aspect of a reporter's workflow.
- 8.4: Buying a Recorder
- This page provides guidance on selecting a digital recorder, emphasizing budget considerations. It discusses a range of models, from basic options like the $100 Olympus WS-100 to higher-end devices such as the $400 Edirol R-1 and M-Audio MicroTrack 24/96, highlighting features including recording quality, file transfer options, and format compatibility across various price points.
- 8.5: Using a Microphone
- This page discusses the benefits of using external microphones to improve sound quality during interviews, highlighting corded and wireless (lavalier) types. Corded mics are recommended for group interviews and capturing ambient sounds, while lavalier mics are user-friendly for solo recordings.
- 8.6: Recording with your Computer
- This page outlines the necessary equipment and procedures for digitally recording phone calls, emphasizing the advantages of digital organization over analog. It provides guidance on choosing audio software, setting up essential parameters like file naming and audio format (WAV), and adjusting microphone levels. Furthermore, it encourages readers to practice with recordings to ensure they meet professional standards.
- 8.7: Editing your Audio
- This page emphasizes the significance of audio editing for clarity and engagement, paralleling text editing. It details the acquisition of audio files from various digital recorders, highlighting USB compatibility issues. Audacity is recommended as an accessible editing tool for exporting in MP3 format. The editing process includes removing unwanted noise, creating stereo tracks, and exporting files.
- 8.8: Ready for Podcasting
- This page explains podcasting as a method of distributing audio files online through RSS subscriptions, enabling users to download content for portable use. The term merges concepts of on-demand playback and broadcasting, applicable to both the content and its delivery. Podcasts usually follow a consistent format, similar to radio shows, and are offered by various media outlets on a range of topics.


