10.1: Introduction
- Page ID
- 199330
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Or, Why the &*%# Am I Taking Writing Again?
Let’s begin by being real with each other: you’re probably in this class because you have to be. It fulfills a gen ed writing requirement you need to graduate or transfer, and you wouldn’t be here otherwise. And there is a good chance you’re not absolutely thrilled about it.
That’s OK. I think I understand, but let me take a stab at some of your potential reactions to finding yourself in this writing class this term:
- You’re in kinesiology, business, psychology, dentistry, nursing, and so on, and you’re absolutely positive you won’t be doing any writing in your future professional life. This class is just one more hoop to jump through in your undergrad career, one more class you have to take through no choice of yours, slowing your progress through your major and toward that sweet j-o-b waiting at the end of it.
- And/or maybe you feel you’ve already taken a gazillion writing classes since you started school, which has only ever meant writing boring essays about Romeo and Juliet or Animal Farm or, even worse, poetry. The only thing you actually learned about writing in those classes was that your job as a student was to figure out a particular writing teacher’s Secret Writing Formula and give it back to them, and you’ve done that plenty. So why do you have to do it again now, when you should be spending every class and all your time on your major that will lead to that j-o-b? Or worse still, those writing teachers’ Secret Writing Formulas never seemed accessible to you, and you long ago threw up your hands in despair.
- Or you truly enjoyed your writing and literature courses—you may even possibly enjoy the act of writing (imagine!)—and, not for nothing, you feel like your writing is pretty darn good already, so you can’t help but resent finding yourself in this required course among all these nonwriters because you already know all this stuff and more.
If any of these overlap with your feelings about being in this course, I get it. I also readily acknowledge that you might not fit neatly into any of these categories—one of the best things about community college is that our students come from all different cultures and stages of life and scholastic and socioeconomic backgrounds. So instead of trying to identify all of your individual circumstances, let me state two things everyone reading this shares:
- You’ve all made it this far somehow, jumping through hoop after writing-requirement hoop, and
- Your schooling is much closer to its end than its beginning.
Which means, in your immediate future, there will be no more teachers to please or impress and no more Secret Writing Formulas to decipher and reproduce. For most of you, this class represents your last—and in a tragedy for another day, possibly your first and only—course devoted solely to writing in your undergraduate career. You are spiraling at full tilt toward the moment when you will never again receive any help or advice or instruction on anything you’ve written, and you obviously won’t get a grade on it, either.
You may silently or openly cheer as you read those sentences. Good riddance to writing and the teachers who teach it! But consider that no matter your major or your career, the one thing you’ll still have to do from time to time in your done-with-school life is try to convince someone to do a thing you want them to do. And I’m sorry to add that sometimes you’ll have to do it in writing.
You will, in other words, petition gatekeepers to open their gates for you. And as you may already know, these moments tend to be rather high-stakes in our lives.
So there you are: you really need another person to do something for you, to give you something, to let you into something, or to stop doing something, but if you can’t apply the elements of strong, clear, and moving argument-making to your writing in those high-stakes moments, this person or organization won’t just give you a C− and invite you to revise for a better grade.
They’ll simply say no.
No, we’re not giving you that raise. No, the city council rejects your proposal for a new business, thanks but no thanks for working on it for the last two years. No, we’re not bringing you in for an interview for your dream job. Nope, you’ve failed to convince us that our grad school program is the right fit for you. No, you haven’t convinced your uncle on social media to reconsider his stance on that far-out conspiracy theory, and the next family gathering is going to be a nightmare as a result. No, we’re sorry to inform you that at this time, we are unable to fund your project; we received 374 more compelling and persuasive applications, and we have limited funds available. And no, I’d prefer not to marry you; I’m going to marry this other person who has proven far better at persuading me they will be a better roommate, partner, and coparent.