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1: Introduction to the Field

  • Page ID
    217317
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    There was a time when it seemed all knowledge was produced by, about, and for men. This was true from the physical and social sciences to the canons of music and literature. Looking from the angle of mainstream education, studies, textbooks, and masterpieces were almost all authored by white men. It was not uncommon for college students to complete entire courses reading only the work of white men in their fields.

    Women, Gender, and Sexuality Studies (WGSS) is an interdisciplinary field that challenges the androcentric production of knowledge. Androcentrism is the privileging of man- or masculine-centered ways of understanding the world.

    Alison Bechdel, a lesbian feminist artist, described in a comic strip what has come to be known as “the Bechdel Test,” which demonstrates the androcentric perspective of a majority of feature-length films. Films pass the Bechdel Test only if they feature two (or more) women characters who talk to each other about something other than a man. You might be surprised to learn that a majority of films do not pass this test!

    This demonstrates how androcentrism is pervasive in the film industry. In a 2023 interview for The Guardian, Bechdel expressed continued disappointment in the film industry: “What’s really dismaying now is the way so many movies cynically try to take shortcuts and feature strong female characters – but they just have a veneer of strength and they’re still not fully developed characters” (Anderson 2023).

    Feminist Frequency. 2009.The Bechdel Test for Women in Movies. Retrieved from https://www.youtube.com/watch?v=bLF6sAAMb4s on August 20, 2024.

    Feminist scholars argue that the common assumption that knowledge is produced by rational, impartial (men) scientists often obscures the ways that scientists create knowledge through gendered, raced, classed, and sexualized cultural perspectives (e.g., Scott 1991). The Women’s Liberation Movement and Civil Rights Movement of the mid-20th century called attention to these conditions and aimed to address these absences in knowledge. Beginning in the 1970s, universities across the United States instituted Women’s and Ethnic Studies departments (e.g., African American Studies, Asian American Studies, Latin American Studies, Native American Studies) in response to student protests and larger social movements. These departments reclaimed buried histories and centered the knowledge production of marginalized groups. As white, middle-class, heterosexual women had the greatest access to education and participation in Women’s Studies, early incarnations of the field stressed their experiences and perspectives. In subsequent decades, contributions of women of color, immigrant women, women from the global south, poor and working class women, and lesbian and queer women became integral to Women’s Studies. More recently, analyses of gender diversity, sexualities, disabilities, masculinities, religion, science, incarceration, indigeneity, and settler colonialism have become centered in the field. As a result of this opening of the field to incorporate a wider range of experiences and objects of analysis, many Women’s Studies departments have renamed themselves “Women, Gender, and Sexuality Studies” departments.

    Feminist scholars recognize the inextricable connection between the notions of gender and sexuality in U.S. society, not only for women but for people of all genders, across a broad expanse of topics. In an introductory course, you can expect to learn about the impact of stringent beauty standards produced in media and advertising, why childrearing by women may not be as natural as we think, the history of the gendered division of labor and its continuing impact on the economic lives of men and women, the unique health issues addressed by advocates of reproductive justice, the connections between women working in factories in the global south and women consuming goods in the United States, how sexual double-standards harm us all, the historical context for feminist movements and where they are today, and much more.

    More than a series of topics, Women, Gender, Sexuality Studies offers a way of seeing the world differently. Scholars in this field make connections across institutional contexts (e.g., work, family, media, law, the state), value the knowledge that comes from lived experiences, and attend to, rather than ignore, marginalized identities and groups. Thanks to the important critiques of transnational, post-colonial, queer, trans and feminists of color, most contemporary WGSS scholars strive to see the world through the lens of intersectionality. That is, they see systems of oppression working in concert rather than separately. For instance, the way sexism is experienced depends not only on a person’s gender but also on how the person experiences racism, classism, ageism, and other forms of marginalization within particular historical and cultural contexts.

    By recognizing the complexity of the social world, Women, Gender, Sexuality Studies advocates for social change and provides insight into how this can be accomplished. WGSS is interdisciplinary – involving multiple academic disciplines – as feminist scholars include biologists, anthropologists, sociologists, historians, chemists, engineers, economists and researchers from just about any identifiable department at a university. Disciplinary diversity among scholars in this field facilitates communication across the disciplinary boundaries within the academy to more fully understand the social world. This text offers a general introduction to the field of WGSS. As all authors of this textbook are trained both as sociologists and interdisciplinary feminist scholars, we situate our framework, which is heavily shaped by a sociological lens, within larger interdisciplinary feminist debates. We highlight some of the key areas in the field rather than comprehensively covering every topic.


    This page titled 1: Introduction to the Field is shared under a CC BY 4.0 license and was authored, remixed, and/or curated by Miliann Kang, Donovan Lessard, Laura Heston, and Sonny Nordmarken (UMass Amherst Libraries) .

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