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9: Talking With Children About Artistic Media

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    274099
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    What do you say when a child shows you their artwork?  It is human nature to lavish praise on the young artist with words like, “Oh!  That’s beautiful!” or we might see this as a moment to correct a child’s  representation of a beaming blue sun by saying, “Nice, but the sun should be bright yellow.”  Though adults are often well-meaning in their responses to the child’s attempt at connection, these comments tend to halt a richer and more elaborate conversation between child and adult.  Some of the more common responses children hear from adults, which can lead to a stoppage of verbal exchange, are outlined in the section below.  Elliot Eisner (1982) emphasized the role of art in developing children's ability to think and perceive, encouraging educators to recognize children's artistic activity as a way of exploring aesthetic experience and expressive form. Rather than focusing only on whether a child's artwork represents a recognizable object, adults can also attend to the formal qualities of children's art, such as shape, line, color, and form. Just as adult artists work with the basic building blocks of visual expression, young children also experiment with these elements in their art. Learning to observe and talk about these formal components is essential in supporting children's developing aesthetic awareness (a topic that will be discussed further in Chapter 10).

    child showing preschmatic marks.jpg

    Photo by Jerry Wang on Unsplash

    When adults take the time to listen closely and engage in meaningful conversations about children's artwork, they communicate that children's ideas, choices, and ways of seeing are valued. Such conversations can support oral language development while also affirming children as capable contributors and meaning-makers. Over time, these experiences can help children develop a deeper understanding and appreciation of art (Thompson, 1990; Eckhoff, 2013; Chang & Cress, 2014). In her extensive review of the literature on talking with children about their art, Christine Marmé Thompson (1990) supports the understanding that young children often combine drawing with descriptive, reflective, and social conversation as a way to verbally monitor and share their progress. Her review highlights research supporting the fact that language is vital for early artistic development and that it influences visual expression. The developmental importance of children's talk about their art suggests that appropriate adult-child dialogue in art contexts can help understand and support early artistic activity. 

    The Elements of Art

    Even very young children can begin to understand and use artistic vocabulary such as shape, pattern, line, design, and color. But simply introducing these terms is not enough. As teachers, we can use the elements of art as a framework for responding to children's creative work in meaningful and respectful ways. You do not need to be a trained artist to do this well.

    While there are many ways to categorize and describe the elements of art, Hardiman and Zernich (1981) offer a developmentally appropriate approach for talking with young children. Their ideas help teachers become keen observers who foster self-expression and personal reflection on the part of the child. They teach us to notice and name what children are exploring in their artwork. Here is what discourse with children might sound like when using the elements of art in everyday conversation:

    Color: "I see black here, and a bit of blue over here..."

    Line: "I see a zigzag here, a curve here, and a right angle..."

    Pattern: "There's a green, blue, green pattern here..."

    Shape: "I see a triangle here and a circle right here..."

    Texture: "It's smooth here and bumpy here..."

    Force/Pressure: "It looks like you colored lightly here and pressed hard on the crayon here..."

    Balance: "You put something on each side. It feels even." or "This part feels heavier with color. Was that on purpose?"

    Space: "You left this space open here and filled in this whole corner. What were you thinking about?"

    Overall Design or Composition: "It looks like everything connects and fits together, like a whole scene."

    Mass or Volume: "This clay figure is really thick and chunky. Look how much space it takes up!" or "You rolled the clay really thin here and made a big ball for the head. Your sculpture has big and small parts!"

    Time and Effort: "You spent a long time working on this artwork. I can tell you were really focused."

    Avoid beginning your comments with "I like..." This can send the message that a child's creative work is meant to please the adult rather than being a genuine expression of the child's own thoughts and ideas. Instead, focus on what you see, what the child did, and how they did it. You can encourage children to share more about their thinking by following your observations with an invitation, such as "Can you tell me more about it?" This approach gives children an opportunity to interpret and expand on their creative choices while fostering richer conversation. What's more, it communicates to children that their ideas and choices are worthy of attention. The adult is not simply judging the finished product; the adult is joining the child in looking closely, noticing, and wondering.

    It can also be helpful to avoid asking, "What is it?" When a child's artwork is abstract or difficult to interpret, this question may unintentionally communicate that the artwork needs to represent something recognizable in order to be meaningful. Instead, begin by observing what you see and inviting the child to share their thinking if they wish. You might say, "I see lots of lines and colors here. Can you tell me about what you were thinking?" This allows the child to decide what their artwork means to them and how much they want to share, while keeping the conversation open to their own interpretation.

                                     abstract art.jpg
                                       Photo by
    Fons Heijnsbroek on Unsplash

    A wonderful example of this approach comes from writer Kelsey McKinney (2024), who describes watching a curator engage a group of elementary school children in a small museum gallery. The curator invited the children to look carefully at approximately fifteen paintings and then stand beneath the one they liked best. She then asked each child, "Why that painting? Why choose this one over all the others?" (McKinney, 2024).  The children's responses went beyond simply saying that they liked a particular painting. They talked about contrast, line quality, shape, negative space, and color. In other words, they were able to articulate the elements and principles of art that contributed to their personal responses. Their comments demonstrate the value of giving children opportunities to look closely, develop a vocabulary for what they see, and explain their own aesthetic choices. When adults invite children to notice and reflect rather than simply telling them what to see or asking them to identify what a work of art represents, children can become active participants in conversations about art and develop greater confidence in their own ways of seeing.

    Conversational Guide for Working with Young Children

    When talking with children about their art, keep the following four principles in mind:

    1. Speak only when you're “invited”.  Children need time and space to create art. Hovering over them while they work with materials is one of the “creativity killers.” Amabile (1997) says that children who feel they are being watched won’t develop their ideas creatively. You will know you are invited by watching their body language. If the child makes eye contact with you for more than just a moment, you can bet they want your company. Go ahead and engage verbally. On the other hand, if the child is deeply involved in their work and their concentration appears intense, please refrain from interrupting. Instead, wait until a later, more appropriate time for conversation.  
    2. Understand Developmental Levels. For toddlers and young preschoolers, keep your comments brief, clear, and related to what they’re doing. For example: “Look how fast your arm is moving the crayon,” or “I see thick dots where you pressed hard.”  
    3. Connect your comments to the artistic elements, but don’t quiz them. Use visual vocabulary to build children’s awareness: “Look at all the colors! Let’s name them—red, blue, and purple,” or “I see big squares that make rectangles at the top of your paper.” If you choose to “quiz” children, it sends the message that they are being evaluated. So, try NOT to say “what color is this?” (They know you know what color it is!) Children can learn colors, shapes, and other concrete concepts through natural conversation, rather than relying on oral quizzes.
    4. Encourage rather than praise. Words that reflect effort and feelings help children internalize a sense of accomplishment: “I can tell you felt proud when you cut that paper all by yourself,” rather than saying, “Good job” or “You’re so good at art.” A comment like, “The smiling sun in the sky matches your happy face,” shows that you’ve noticed something personal and expressive, which affirms their work without judgment.

    When we notice rather than evaluate, we help children stay connected to their own ideas, feelings, and sense of creativity.

    Guidelines on What to Steer Clear Of 

    Below are common approaches to avoid.  Though it might be a challenge given the fact that habits can be hard to break.  Make a mistake?  That’s okay.  Try again next time.   

    Avoid being….

    • Complementary: “That is so pretty.” Yes, most will agree that a compliment feels great in the moment, but it can also feel like a dismissal.  Or it can feel inauthentic.
    • Judgmental: “Very good.” Judgments are often thought of as negative commentary (That’s no good”), but positive judgments are also something to be concerned with when it comes to children’s artistic sharing. When a child learns that an adult judges something as “good,” they are more likely to edit their future work in accordance to what adults seem to deem as good.
    • Valuing: “I like that a lot.”  Similar to judging artistic work, valuing sends the message that children should do what others like and not honor their own creativity. Because children are still developing their sense of self, they rely on the opinions of those they trust, and this can stifle their natural creativity.
    • Questioning: “What is it?” When a child is asked this question, they may feel confused because they may not have a “what” in mind.  Recall that children are in any number of artistic stages, and many of those stages have little to do with producing a representational display.
    • Correcting: “Nice, but spiders have eight legs; you only drew six.” Unless we are specifically asking for an outside opinion, most of us do not enjoy being corrected.  Children, when corrected, are likely to avoid sharing creative work when they know they will likely be assessed and fall short of expectations.
    • (Exception) Probing can be a good strategy!  “What can you tell me about your artwork?” This is a welcome statement and one that a child may find open-ended enough to elaborate.  A teacher might ask, “May I write some words down about your drawing?” When we gently probe, we are saying we are interested in the child’s work, but we will not judge, correct, or even compliment it.  We honor the work, and in doing so, we encourage conversation and further artistic processing.  

    Reflecting Thoughts

    When a child shares their artwork with us, we get a glimpse into how they see, think, feel, and make sense of the world. Our response can either close that window of insight or invite the child to open it a little wider. When we slow down, look closely, and respond with true curiosity rather than judgment, we create space for children to talk about their ideas, explore their choices, and build confidence in their own ways of seeing. We may not always understand what a child has created, and we do not need to. Our role is not to determine what the artwork means or whether it is good, beautiful, or correct. Our role is to be present, to notice, and to wonder alongside the child. In doing so, we communicate: I see what you are doing. I am interested in how you see the world. Your ideas matter.


    This page titled 9: Talking With Children About Artistic Media was last modified on Sun, 26 Jul 2026 03:53:25 GMT and is shared under a CC BY-NC 4.0 license and was authored, remixed, and/or curated by Donna King.

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