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5.6: Notes

  • Page ID
    175490
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    1 Susan Christopherson and Jennifer Clark, Remaking Regional Economies: Power, Labor, and Firm Strategies in the Knowledge Economy (New York: Routledge, 2007).

    2 See, for example, Susan Christopherson, “Behind the Scenes: How Transnational Firms Are Constructing a New International Division of Labor in Media Work,” in Cross-Border Cultural Production: Economic Runaway or Globalization?, edited by Janet Wasko (New York: Cambria Press, 2008); Tom O’Regan and Ben Goldsmith, The Film Studio: Film Production in the Global Economy (Lanham, MD: Rowman & Littlefield, 2005); Greg Elmer and Mike Gasher, Contracting Out Hollywood: Runaway Productions and Foreign Location Shooting (Lanham, MD: Rowman & Littlefield, 2005); Mike Gasher, Hollywood North: The Feature Film Industry in British Columbia (Seattle: University of Washington Press, 2002); Toby Miller, Nitin Govil, John McMurria, Richard Maxwell, and Ting Wang, Global Hollywood 2 (London: British Film Institute, 2008); Michael Storper and Susan Christopherson, “Flexible Specialization and Regional Industrial Agglomeration: The Case of the U.S. Motion Picture Industry,” Annals of the Association of American Geographers 77 (1987): 1104–1117; Janet Wasko, How Hollywood Works (London: Sage, 2003).

    3 Mayor’s Office of Cultural Economy, 2014 New Orleans Cultural Economy Snapshot, New Orleans, LA, located at www.nola.gov/getattachment/Cultural-Economy/2014-CE-Snapshot-Electronic.pdf/.

    4 Adriana Lopez, “A Look into America’s Fastest Growing City,” Forbes.com, July 26, 2012, www. forbes.com/sites/adrianalopez/2012/07/26/a-look-into-americas-fastest-growing-city/.

    5 Dave Walker, “On the HBO ‘Treme’ Trail: David Simon, Eric Overmyer Discuss Creation of Prospective Drama,” Nola.com, April 4, 2009, http://blog.nola.com/davewalker/2009/04/on_the_treme_trail_david_simon.html.

    6 Mark Banks, “Moral Economies and Cultural Work,” Sociology 40 (2006): 455–472.

    7 Vincanne Adams, Markets of Sorrow, Labors of Faith: New Orleans in the Wake of Katrina (Durham, NC: Duke University Press, 2013).

    8 Laurie Ouelette and James Hay, Better Living through Reality TV: Television and Post-Welfare Citizenship (London: Wiley, 2008).

    9 Amanda Lagerkvist, “9.11 in Sweden: Commemoration at Electronic Sites of Memory,” Television & New Media 15 (2014): 350–370.

    10 See, for example, Melissa Gregg, Work’s Intimacy (London: Polity, 2012).


    This page titled 5.6: Notes is shared under a CC BY 4.0 license and was authored, remixed, and/or curated by Vicki Mayer (University of California Press) via source content that was edited to the style and standards of the LibreTexts platform.