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Chapter 10: Complex Labor Relations in Latin American Television Industries

  • Page ID
    175221
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    The transformation of the Latin American television industry clearly exposes the profound impact of neoliberal policies throughout the region, including the multiplication of distribution windows, trends toward media concentration, and changes in the modalities by which global media corporations are rooting in local and national television industries. Miller and Leger argue that runaway productions are the means by which Hollywood outsources production to developing countries to realize cost advantages via flexible labor, low wages, low prices, tax incentives, cheap accommodations, and access to material, cultural, and symbolic infrastructure, all the while maintaining tight central administrative and financial control.

    • 10.1: Introduction
      Overview of the goals of this chapter: to explore the ways in which multinational corporations have approached Latin American indie television companies to create local programming, and the effect of this on labor conditions in these indies.
    • 10.2: A Brief Overview of the Latin American Television Industry
      A brief history of the Latin American television industry, including nationally owned networks establishing their dominance early on and global conglomerates later attempting to expand into this market approaching local indies for the talent and labor needed to compete with the national networks.
    • 10.3: Independents in the Contemporary Landscape of Television Industries
      Challenges faced by indie production houses in Latin American television, with a focus on the high level of control exerted by national networks on what projects are able to reach mass audiences.
    • 10.4: Genre and Formats Division of Labor
      Labor considerations, including cost and the duration for which a production house will be employed, for different genres (in both fiction and nonfiction) and formats of television.
    • 10.5: The Asymmetrical Relationship Between Indie Houses and Television Networks
      The dependency of indie studios on major national or multinational networks for funding, and the differing levels of creative control exerted by these two network types on the studios. Focuses on the case of the indie studio Argos in Mexico.
    • 10.6: Labor Struggles, Accommodations, and Strategies of Survival
      Examining the staffing patterns, labor conditions, and emotional/artistic connections common in these indie studios.
    • 10.7: Conclusion
      The precarity of working at indie production houses, as shown by the emergence of “indies” owned by or closely tied to transnational conglomerates and the diverse strategies needed by other indies to financially survive. Narratives common within these indies that frame this precarity as emblematic of freedom, creativity, and innovation.
    • 10.8: Notes


    This page titled Chapter 10: Complex Labor Relations in Latin American Television Industries is shared under a not declared license and was authored, remixed, and/or curated by Huan Piñón (University of California Press) via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.

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