2.2: Important Thinkers

Renaissance thinkers embraced and used the ideals of humanism as inspiration for creating innovative new approaches to philosophy, philology (the study of language), theology, history, and political theory. In other words, reading the classics inspired Renaissance thinkers to emulate the great writers and philosophers of ancient Greece and Rome, creating poetry, philosophy, and theory on par with that of Aristotle or Cicero. Some of the more noteworthy are included below.

Dante (1265 - 1321)

Durante degli Alighieri, better remembered as Dante, was a major figure who anticipated the Renaissance rather than being alive during most of it. (There is no “official” start to the Renaissance, 1300 is sometimes used as a convenient date). Experiencing what would later be called a mid-life crisis, Dante turned to poetry to console himself. Written in his own native dialect of Tuscan, The Divine Comedy describes Dante’s descent into hell, guided by the spirit of the classical Roman poet Virgil. Dante and Virgil emerge on the other side of the earth, with Dante ascending the mountain of purgatory and ultimately entering heaven, where he enters into the divine presence.

Dante’s work presaged some of the essential themes of Renaissance thought. Dante’s travels through hell, purgatory, and heaven in the poem are replete with encounters with two categories of people: Italians of Dante’s lifetime or the recent past, and both real and mythical figures from ancient Greece and Rome. In other words, Dante was indifferent to the entire period of the Middle Ages, concentrating on what he imagined the spiritual fate of the great thinkers and heroes of the classical age would have been. Ultimately, educated people in Italy would eventually come to read the Comedy, and it came to serve as the founding document of the modern Italian language in the process.

In Domenico di Michelino's 1465 fresco, Dante is shown holding a copy of the Divine Comedy, next to the entrance to Hell, the seven terraces of Mount Purgatory, and the city of Florence, with the spheres of Heaven above.

Petrarch (1304 – 1374)

Francesco Petrarca, known as Petrarch in English, was in many ways the founding father of the Renaissance. Like Dante, he was a native of the city of Florence and single-handedly spearheaded the practice of studying and imitating the great writers and thinkers of the past. Petrarch personally rediscovered long-lost works by Cicero, widely considered the greatest writer of ancient Rome during the republican period. Petrarch wrote to friends and associates in a classical, grammatically spotless Latin (as opposed to the often sloppy and error-ridden Latin of the Middle Ages) and encouraged them to learn to emulate the classics in their writing, thought, and values. He went on to write many works of poetry and prose that were based on the model provided by Cicero and other ancient writers.

Christine de Pizan (1364 - 1430)

Christine de Pizan was the most famous and important woman thinker and writer of the Renaissance era. Her father, the court astrologer of the French king Charles V, was exceptional in that he felt it important that his daughter receive the same quality of education afforded to elite men at the time. She went on to become a famous poet and writer in her own right, being patronized (i.e. receiving commissions for her writing) by a wide variety of French and Italian nobles. Her best-known work was The Book of the City of Ladies, in which she attacked the then-universal idea that women were naturally unintelligent, sinful, and irrational. Instead, she argued, history provided a vast catalog of women who had been moral, pious, intelligent, and competent, and that it was men's pride and the refusal of men to allow women to be properly educated that held women back. In many ways, the City of Ladies was the first truly feminist work in European history, and it is striking that she was supported by, and listened to by, elite men due to her obvious intellectual gifts despite their own deep-seated sexism.

Figure 4.2.1: Christine de Pizan presents a copy of The City of Ladies to a French noblewoman, Margaret of Burgundy. The illustration is in the pre-Renaissance “Gothic” style, without linear perspective, despite its approximate date of 1475. This image demonstrates the relatively slow spread of Renaissance-inspired artistic innovations.

Desiderius Erasmus (1466 - 1536)

Erasmus was an astonishingly erudite priest who benefited from both the traditional scholastic education of the late-medieval church and the new humanistic style that emerged from the Renaissance. Of his various talents, one of the most important was his mastery of philology: the history of languages. Erasmus became completely fluent not just in classical and medieval Latin, but in the Greek of the New Testament. (Most of the earliest versions of the New Testament of the Christian Bible are written in the vernacular Greek of the first century CE). He also became conversant in Hebrew, which was very uncommon among Christians at the time.

Figure 4.2.2: In this well-known portrait, of Erasmus is depicted in heavy, fur-lined robes and hat, a necessity even when indoors in Northern Europe for much of the year. Realistic portraiture was another major innovation of the Renaissance period.

Armed with his lingual virtuosity, Erasmus undertook a vast study and re-translation of the New Testament, working from various versions of the Greek originals and correcting the Latin Vulgate which was the most widely used at the time. In the process, Erasmus corrected the New Testament itself, catching and fixing numerous translation errors, In addition, while he did not re-translate the Old Testament from the Hebrew, he did point out errors in it as well.

Erasmus was not officially authorized to carry out his studies and translations. Nevertheless, his corrections were not just a question of grammatical issues, but of meaning. The Christian message that emerged from the “correct” version of the New Testament was a deeply personal philosophy of prayer, devotion, and morality that did not correspond to many of the structures and practices of the Latin Church. He was also an advocate of translations of the Bible into vernacular languages, although he did not produce such a translation himself.

Two other examples of his work are: In Praise of Folly, a satirical attack on corruption within the church, and Handbook of the Christian Soldier, which de-emphasized the importance of the sacraments. Erasmus used his abundant wit to ridicule sterile medieval-style scholastic scholars, the corruption of “Christian” rulers who were essentially glorified warlords, and even the very idea of witches, which he demonstrated relied on a faulty translation from the Hebrew of the Old Testament.

Niccolo Machiavelli (1469 – 1527)

Machiavelli was a "courtier," a professional politician, ambassador, and official who spent his life in the court of a ruler. While in Florence, Machiavelli wrote various works on politics, most notably addressing the proper functioning of a republic like Florence. Unfortunately for him, Machiavelli was caught up in the whirlwind of power politics and ended up being exiled by the Medici.

While in exile, Machiavelli undertook a new work of political theory which he titled The Prince. This book detailed how an effective ruler should

• train constantly in war
• force his subjects to fear (but not hate) him
• study the ancient past for role models like Alexander the Great and Julius Caesar
• never waste a moment worrying about morality when power was on the line

In the process, Machiavelli created what was arguably the first work of "political science" that abandoned the moralistic approach of how a ruler should behave as a good Christian and instead embraced a practical guide to holding power. The Prince caused a scandal for completely ignoring the role of God and Christian morality in politics, and he died not long after. That being noted, Machiavelli is now remembered as a pioneering political thinker.

Baldassarre Castiglione (1478 - 1529)

Castiglione was the author of The Courtier, published in 1528. Whereas Machiavelli's The Prince was a practical guide for rulers, The Courtier was a guide to the nobles, wealthy merchants, high-ranking members of the church, and other social elites who served and schemed in the courts of princes. The work centered on what was needed to win the prince’s favor and to influence him. This idea was tied to the growing sense of what it was to be “civilized” – Italians at the time were renowned across Europe for their refinement, the quality of their dress and jewelry, their wit in conversation, and their good taste. The relatively crude tastes of the nobility of the Middle Ages were “revised” starting in Italy, with Castiglione serving as both a symptom and cause of this shift.

According to Castiglione, the effective courtier was tasteful, educated, clever, and subtle in his actions and words, a true politician rather than merely a warrior who happened to have inherited some land. Going forward, growing numbers of political elites came to resemble a Castiglione-style courtier instead of a thuggish medieval knight or "man-at-arms." When he died, the Holy Roman Emperor Charles V lamented his loss and paid tribute to his memory.