Skip to main content
Social Sci LibreTexts

10.7: Footnotes

  • Page ID
    308186
  • \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

    \( \newcommand{\dsum}{\displaystyle\sum\limits} \)

    \( \newcommand{\dint}{\displaystyle\int\limits} \)

    \( \newcommand{\dlim}{\displaystyle\lim\limits} \)

    \( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)

    ( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)

    \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

    \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)

    \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

    \( \newcommand{\Span}{\mathrm{span}}\)

    \( \newcommand{\id}{\mathrm{id}}\)

    \( \newcommand{\Span}{\mathrm{span}}\)

    \( \newcommand{\kernel}{\mathrm{null}\,}\)

    \( \newcommand{\range}{\mathrm{range}\,}\)

    \( \newcommand{\RealPart}{\mathrm{Re}}\)

    \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

    \( \newcommand{\Argument}{\mathrm{Arg}}\)

    \( \newcommand{\norm}[1]{\| #1 \|}\)

    \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

    \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)

    \( \newcommand{\vectorA}[1]{\vec{#1}}      % arrow\)

    \( \newcommand{\vectorAt}[1]{\vec{\text{#1}}}      % arrow\)

    \( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vectorC}[1]{\textbf{#1}} \)

    \( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)

    \( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)

    \( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)

    \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \(\newcommand{\longvect}{\overrightarrow}\)

    \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

    \(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)
    1. J. Dry, “5 Queer Films You Didn’t Know Were Queer, from Fight Club to Showgirls,” IndieWire, July 7, 2017, https://www.indiewire.com/2017/07/best-lgbt-films-you-didnt-know-were-queer-fight-club-gay-lesbian-movies-showgirls-1201851309/. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-1
    2. J. Mayne, Directed by Dorothy Arzner (Bloomington: Indiana University Press, 1994), 63. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-2
    3. A. Doty, Making Things Perfectly Queer: Interpreting Mass Culture (Minneapolis: University of Minnesota Press, 1993), xi. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-3
    4. R. Dyer, Now You See It (New York: Routledge, 2013), 23. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-4
    5. Merriam-Webster, s.v. “trope (noun),” accessed April 14, 2019, https://www.merriam-webster.com/dictionary/trope. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-5
    6. B. R. Rich, New Queer Cinema: The Director’s Cut (Durham, NC: Duke University Press, 2013), xxv. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-6
    7. L. J. Leff and J. L. Simmons, The Dame in the Kimono: Hollywood, Censorship, and the Production Code (Lexington: University Press of Kentucky, 2013), 270. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-7
    8. R. Krafft-Ebing, Psychopathia Sexualis: With Especial Reference to the Antipathic Sexual Instinct; a Medico-forensic Study (New York: Rebman, 1906), 399. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-8
    9. H. M. Benshoff and S. Griffin, Queer Images: A History of Gay and Lesbian Film in America (Lanham, MD: Rowman and Littlefield, 2006). 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-9
    10. T. Doherty, Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934 (New York: Columbia University Press, 1999). 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-10
    11. J. Lewis, Hollywood v. Hard Core: How the Struggle over Censorship Created the Modern Film Industry (New York: New York University Press, 2002), 304. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-11
    12. C. A. Noriega, “‘Something’s Missing Here!’: Homosexuality and Film Reviews during the Production Code Era, 1934–1962,” JCMS: Journal of Cinema and Media Studies 58 (2018): 20, https://doi.org/10.1353/cj.2018.0089. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-12
    13. V. Russo, The Celluloid Closet: Homosexuality in the Movies, rev. ed. (1981; New York: Harper and Row, 1987). 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-13
    14. GLAAD Media Institute, “Where We Are on TV,” https://www.glaad.org/whereweareontv. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-14
    15. S. Sontag, Notes on “Camp” (London: Penguin, 2018). 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-15
    16. Rich, New Queer Cinema, xv. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-16
    17. R. Becker, “Prime-Time Television in the Gay Nineties: Network Television, Quality Audiences, and Gay Politics,” Velvet Light Trap 42 (1998): 36–47. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-17
    18. RuPaul, Lettin’ It All Hang Out (New York: Hyperion, 1995). 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-18
    19. C. Esposito, “Cameron Esposito—Woman Who Doesn’t Sleep with Men (from Same Sex Symbol),” April 6, 2014, https://youtu.be/TSJGaVuJJn8. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-19
    20. I Am Jazz, TLC, https://www.tlc.com/tv-shows/i-am-jazz/. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-20
    21. F. Dhaenens, “Teenage Queerness: Negotiating Heteronormativity in the Representation of Gay Teenagers in Glee,” Journal of Youth Studies 16, no. 3 (2013): 304–317, https://doi.org/10.1080/13676261.2012.718435. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-21
    22. M. San Filippo, The B Word: Bisexuality in Contemporary Film and Television (Bloomington: Indiana University Press, 2013). 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-22
    23. L. Horak, “Tracing the History of Trans and Gender Variant Filmmakers,” Spectator 37, no. 2 (2017): 9–20. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-23
    24. J. Puar, “In the Wake of It Gets Better,” Guardian, November 16, 2010, https://www.theguardian.com/commentisfree/cifamerica/2010/nov/16/wake-it-gets-better-campaign; T. Nyong’o, “School Daze,” October 1, 2010, Bully Bloggers, https://bullybloggers.wordpress.com/2010/09/30/school-daze/. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-24
    25. M. Riggs, “An Interview with Marlon Riggs: Tongues Untied Lets Loose Angry, Loving Words,” interview by Robert Anbian, March 1990, http://newsreel.org/guides/Riggs-Guide/Release-Print-Riggs-Interview-1990.pdf. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-25
    26. I Shall Not Be Removed: The Life of Marlon Riggs, directed by Karen Everett, 1996. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-26
    27. POV, “Tongues Untied: Filmmaker Interview with Marlon Riggs,” season 4, episode 5, PBS, July 15, 1991, https://www.pbs.org/video/pov-tongues-untied-filmmaker-interview/. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-27
    28. A. Lorde, “The Transformation of Silence into Language and Action,” paper delivered at the Modern Language Association’s “Lesbian and Literature Panel,” Chicago, December 28, 1977, https://electricliterature.com/wp-content/uploads/2017/12/silenceintoaction.pdf. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-28
    29. Riggs, “An Interview with Marlon Riggs.” 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-29
    30. A. Leventry, “The Importance of Social Media When It Comes to LGBTQ Kids Feeling Seen,” Washington Post, September 19, 2019, https://www.washingtonpost.com/lifestyle/2019/09/20/importance-social-media-when-it-comes-lgbtq-kids-feeling-seen/. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-30
    31. See, for example, E. Schiappa, P. B. Gregg, and D. E. Hewes, “The Parasocial Contact Hypothesis,” Communication Monographs 72, no. 1 (2005): 92–115. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-31
    32. A. R. Flores, D. P. Haider-Markel, D. C. Lewis, P. R. Miller, B. L. Tadlock, and J. K. Taylor, “Transgender Prejudice Reduction and Opinions on Transgender Rights: Results from a Mediation Analysis on Experimental Data,” Research and Politics 5, no. 1 (2018), https://doi.org/10.1177/2053168018764945. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-32
    33. R. Deerwater, “Color of Change, Women’s Media Center, RespectAbility, NHMC React to GLAAD’s ‘Where We Are on TV’ Findings,” GLAAD, October 30, 2018, https://www.glaad.org/blog/color-change-women%E2%80%99s-media-center-respectability-nhmc-react-glaad%E2%80%99s-%E2%80%98where-we-are-tv%E2%80%99-findings. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-33
    34. L. J. Ross, “Speaking Up Without Tearing Down,” Teaching Tolerance, no. 61 (2019), https://www.tolerance.org/magazine/spring-2019/speaking-up-without-tearing-down. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-34
    35. N. Buckley, dir., “Moments Later,” season 1, episode 11, Pretty Little Liars, January 3, 2011. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-35
    36. M. Grossman, dir., “The New Normal,” season 1, episode 17, Pretty Little Liars, February 14, 2011. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-36
    37. Grossman, “The New Normal.” 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-37
    38. Ross, “Speaking Up Without Tearing Down.” 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-38
    39. “What Is a Quinceañera and Why Is It So Important?,” My Quince, accessed July 23, 2015, https://www.myquincemagazine.com/what-is-a-quinceanera-and-why-is-it-so-important/. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-39
    40. M. Gonzalez, “The Quinceañera, a Rite of Passage in Transition,” New York Times, June 4, 2016, https://www.nytimes.com/2016/06/05/nyregion/the-quinceanera-a-rite-of-passage-in-transition.html. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-40
    41. P. Fryman, dir., “Quinces,” season 1, episode 13, One Day at a Time, June 4, 2016. 6.01: Chapter 10- Screening LGBTQ#return-footnote-151-41

    This page titled 10.7: Footnotes is shared under a CC BY 4.0 license and was authored, remixed, and/or curated by Has Arakelyan.