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3.3: RDA and Music Basics- Sound Recordings

  • Page ID
    147141
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    Overview of the significant differences in cataloging sound recordings between AACR2 and RDA, addressing both descriptive elements and access points. Examples of RDA in MARC 21 Bibliographic and Authority records provided.

    An ALCTS webcast

    Who Should Attend

    Attendees should have some experience cataloging sound recordings under AACR2 and want to learn more about how cataloging practices for these resources will change with RDA.

    Presenter

    Kathy Glennan is the Head of Special Resources Cataloging at the University of Maryland and has more than 25 years experience cataloging scores and sound recordings. She currently chairs the Music Library Association's Bibliographic Control Committee and has been active in ALA's Committee on Cataloging: Description and Access, where she worked on development of RDA instructions in relation to music materials. She has given numerous presentations on RDA, FRBR, and MARC Formats issues. She holds an MLS from UCLA.

    Registration

    How to Register

    No registration required. Access the session now:

    recording (YouTube)

    presentation slides (.ppt)

    Tech Requirements

    Computer with Internet access (high-speed connection is best) and media player software. Headphones recommended.

    If you receive a Codec error when playing the recorded file with Windows Media Player, download the gotowebinar codec file from: https://www1.gotomeeting.com/codec?Portal=www.gotomeeting.com The Codec acts as a patch that allows the recording, which is created with a higher version of Media Player, to play in version 7. For more information on playing the recording, see the FAQ.

    Credits

    none 


    Questions?

    For questions or comments related to the webcasts, contact Julie Reese, ALCTS Events Manager at 1-800-545-2433, ext. 5034 or jreese@ala.org.

    Source Information

    RDA and Music Basics: Sound Recordings

     


    3.3: RDA and Music Basics- Sound Recordings is shared under a not declared license and was authored, remixed, and/or curated by LibreTexts.

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