Section 7.3: Intersectionality
- Page ID
- 107073
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I also recommend the video by Al Jazeera, Ridicule of Indigenous Oscar Nod Highlights Racism in Mexico
This long history of racial classification has also resulted in a form of colorism within the Latinx population, defined by Chavez-Dueñas, Adames, & Organista (2014) as "a form of discrimination imposed upon Latinos/as by members of their own ethnic group." (Chavez-Dueñas et al., p. 4). This internalized hierarchy that devalues indigenous and African ancestry and a preference for whiteness or traditionally European features is reflected at the institutional level in terms of people in power, socioeconomic status, and depictions of people in media (i.e. movies, news broadcasters, telenovelas, etc.). At the micro level, Chavez-Dueñas (2014) found the following comments frequently used by Latinx family members to describe friends or relatives to be a clear reflection of colorism and an internalized racial hierarchy :
- Hay que mejorar la raza o cásate con un blanco. [We need to improve the race by marrying a white person.]
- Ahi que bonita es su niña, as tan güerita/blanquita! [Oh! How pretty your daughter is, she is so white/light skinned!]
- Oh, nació negrito/prietito pero aun asi lo queremos. [Oh, he was born black/dark but we still love him all the same.]
- Pobrecito, tiene el cabello tan malo. [Poor little thing, her hair is so bad/coarse.]
- Eres tan Indio. [You are so Indian. (connoting negative stereotypes about indigenous people)] (Chavez-Dueñas et al., 2014, p. 17).
Latinx, Undocumented, and LGBTQ
As an Undocuqueer Artivist, Salgado is building upon the tradition of other Latinx artivists such as Judy Baca who use the combination of art and activism to think outside the bounds of dominant modes of representation in the interests of liberation for themselves and their communities (Hart, 2015). Similarly, self-proclaimed chicana dyke-feminist, tejana patlache, poet, writer, and cultural theorist, Gloria Anzaldúa (1942 –2004) was best known for her book, Borderlands/La Frontera, loosely-based on her life growing up on the Mexico–Texas border, incorporating her lifelong experiences of social and cultural marginalization. This excerpt from Borderlands/La Frontera captures her spiritual activism: