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6.4: Shaping the Looks and Sounds of CAPs

  • Page ID
    57857
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    The CTML is grounded in cognitive load theory (Chandler & Sweller, 1991), which states that all humans are subject to cognitive overload when capacity in working memory is overwhelmed by environmental stimuli. This theory also builds upon Paivio’s (1986) dual processing principle (people learn using visual and auditory inputs), and Baddeley’s (1986) model of working memory (people remember about three seconds worth of auditory and visuospatial information, respectively, without taking explicit cognitive action to remember it). Multimedia instruction is a known perpetrator of overwhelming viewers with fast-paced, visually rich, instructionally redundant features that make no explicit effort to structure content so that viewers have time for processing (Clark, 2009; 1983; Mayer, 2009). The CTML and accompanying instructional design principles help instructors do a better job of creating instruction that is a match for how people learn (Mayer, 2009).

    Table 6.4.1 contains a rubric used by Kennedy, Aronin, Newton, O’Neal, and Thomas (2014) to score CAPs’ adherence to Mayer’s instructional design principles. This rubric is simple, but it can help an instructor carefully study each of Mayer’s principles and consider how it influences the looks and sounds of instruction throughout a CAP. Before attempting to create a CAP, we recommend careful study of Mayer’s principles and use of the rubric to evaluate multimedia currently being used to teach students.

    Table 6.4.1: Mayer’s Instructional Design Principles as Rubric for Evaluating Multimedia Instructional Materials.
    Name:
    Research-Based Instructional Design Principles (Mayer, 2009, 2008) Rubric for Evaluating Multimedia Instructional Materials

    Coherence Principle

    ES = .97, 14 Studies

    1 -----------------------------------------2----------------------------------------3

    Includes Excess Some Irrelevant Content Standard Met

    Irrelevant

    Signaling Principle

    ES = .52, 6 Studies

    1 -----------------------------------------2----------------------------------------3

    Lacks Explicit Cues Some Cues Provided Standard Met

    Redundancy Principle

    ES = .72, 5 Studies

    1 -----------------------------------------2----------------------------------------3

    Extensive Text Occasional Redundant Text Standard Met

    Spatial Contiguity Principle

    ES = 1.12, 5 Studies

    1 -----------------------------------------2----------------------------------------3

    Words and Pictures Some Content Not Standard Met

    Not Near Each Other Closely Aligned

    Temporal Contiguity Principle

    ES = 1.31, 8 Studies

    1 -----------------------------------------2----------------------------------------3

    Audio & Text Some Misalignment Standard Met Misalignment

    Modality Principle

    ES = 1.02, 17 Studies

    Does Not Use Audio/Visuals Uses Audio/Visuals

    Segmenting Principle

    ES = .98, 3 Studies

    1 -----------------------------------------2----------------------------------------3

    Excessive Length Contains Explicit Breaks Standard Met

    & No Explicit Breaks But is Excessively Long

    Pretraining Principle

    ES = .85, 5 Studies

    1 -----------------------------------------2----------------------------------------3

    No Advance Organizer Limited Use of Standard Met

    Or Hierarchy of Content Pretraining Strategies

    Multimedia Principle

    ES = 1.39, 11 Studies

    Not Multimedia Standard Met

    Personalization Principle

    ES = 1.11, 11 Studies*

    Not Personalized Standard Met

    Voice Principle

    *

    1 -----------------------------------------2----------------------------------------3

    Formal Narration Some Formal Standard Met

    Some Conversational

    Image Principle

    *

    1 -----------------------------------------2----------------------------------------3

    Images Are Vague &/or Most Images Clear Standard Met

    Blurry

    Note – Personalization Principle’s 11 Studies Includes the Voice and Image Principles. They are separated here for the purpose of guiding instructional design.