Archaeology
- Page ID
- 34011
\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)
\( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)
( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)
\( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)
\( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)
\( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)
\( \newcommand{\Span}{\mathrm{span}}\)
\( \newcommand{\id}{\mathrm{id}}\)
\( \newcommand{\Span}{\mathrm{span}}\)
\( \newcommand{\kernel}{\mathrm{null}\,}\)
\( \newcommand{\range}{\mathrm{range}\,}\)
\( \newcommand{\RealPart}{\mathrm{Re}}\)
\( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)
\( \newcommand{\Argument}{\mathrm{Arg}}\)
\( \newcommand{\norm}[1]{\| #1 \|}\)
\( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)
\( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)
\( \newcommand{\vectorA}[1]{\vec{#1}} % arrow\)
\( \newcommand{\vectorAt}[1]{\vec{\text{#1}}} % arrow\)
\( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\( \newcommand{\vectorC}[1]{\textbf{#1}} \)
\( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)
\( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)
\( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)
\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)
\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)- Digging into Archaeology: A Brief OER Introduction to Archaeology with Activities (Paskey and Cisneros)
- This book is intended for use in a variety of introductory archaeology settings, such as in lectures and lab courses. This text can complement an existing traditional text or completely replace a standard text. It can be used for its activities or as a study resource. When we wrote this text, we designed the chapters to be brief, providing concise and to-the-point information.
- Front Matter
- 1: Introduction to Anthropological Archaeology
- 2: History (up until the 1960s)
- 3: History (the 1960s and beyond)
- 4: The Archaeological Record and Site Formation Processes
- 5: Artifact Preservation
- 6: How to Find Archaeological Sites
- 7: Excavation
- 8: Dating Methods – Relative and Absolute Dating
- 9: Artifact Analysis
- 10: Reconstructing Environments and Subsistence Patterns
- 11: Social Archaeology
- 12: Bioarchaeology
- 13: Archaeological Interpretation and Application of Theory
- 14: Historical Archaeology
- 15: New Frontiers in Archaeology
- 16: Legal and Ethical Considerations in Archaeology
- Back Matter
- Archaeology (Ruth)
- Archeology is the study of human activity through the recovery and analysis of material culture specifically artifacts, architecture, biofacts or ecofacts and cultural landscapes.
- Introduction to Archaeology: A Workbook (Lemke)
- Introduction to Archaeology: A Workbook, is designed to assist students in the Intro to Archaeology course by giving them questions and assignments to reinforce what is learned in the classroom lectures.
- Writing as Material Practice - Substance, Surface and Medium (Piquette et al.)
- Fifteen case studies explore the artefactual nature of writing — the ways in which materials, techniques, color, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making. Covering a temporal span of some 5000 years, from c.3200 BCE to the present day.
- Front Matter
- 1: Introduction - Developing an Approach to Writing as Material Practice (Kathyrn E. Piquette and Ruth D. Whitehouse)
- 2: The Twisting Paths of Recall - Khipu (Andean Cord Notation) as Artifact (Frank Salomon)
- 3: Writing as Material Technology - Orientation within Landscapes of the Classic Maya World (Sarah E. Jackson)
- 4: Writing (and Reading) as Material Practice - The World of Cuneiform Culture as an Arena for Investigation (Roger Matthews)
- 5: Re-Writing the Script - Decoding the Textual Experience in the Bronze Age Levant (c.2000-1150 BC) (Rachael Thyrza Sparks)
- 6: The Function and Meaning of Writing in the Prehistoric Aegean - Some Reflections on the Social and Symbolic Significance of Writing from a Material Perspective (Helène Whittaker)
- 7: Form Follows Function- Writing and Its Supports in the Aegean Bronze Age (Sarah Finlayson)
- 8: Materiality of Minoan Writing- Modes of Display and Perception (Georgia Flouda)
- 9: Saving on Clay- The Linear B Practice of Cutting Tablets (Helena Tomas)
- 10: Straight, Crooked and Joined-Up Writing - An Early Mediterranean View (Alan Johnston)
- 11: "It Is Written"? - Making, Remaking and Unmaking Early 'Writing' in the Lower Nile Valley (Kathyrn E. Piquette)
- 12: Written Greek but Drawn Egyptian - Script Changes in a Bilingual Dream Papyrus (Stephen Kidd)
- 13: The Other Writing - Iconic Literacy and Situla Art in Pre-Roman Veneto (Italy) (Elisa Perego)
- 14: "Tombstones" in the North Italian Iron Age - Careless Writers or Athletic Readers? (Ruth D. Whitehouse)
- 15: Different Times, Different Materials and Different Purposes - Writing on Objects at the Grand Arcade Site in Cambridge (Craig Cessford)
- 16: Writing Conservation - The Impact of Text on Conversation Decisions and Practice (Elizabeth Pye)
- 17: Epilogue (John Bennet)
- Back Matter
Thumbnail: Ancient cemetery in England (Pixabay license; Pexels via Pixabay)